I have been painting a lot, now that I’ve got my desk in order. After a year of traveling round with only a limited choice of supplies, it feels so luxurious to once again have many papers and books and other items at my disposal (though I can’t figure out where I’ve stashed my tubes of paint).
I’ve been working with Charles Le Clair’sΒ The Art of Watercolor, which I’ve mentioned before, and have made two gratifying discoveries. First, even though I spent a lot more time drawing than painting during our travels, I am still a better painter than I was. My eye is better, my judgment is better, and I have more patience. Second — and this is related — I focus better now. I guess travel sharpened my priorities and reduced distractions (you’d think it would be the opposite), plus I’m quite sure our month in Kyoto trained me to the pleasure of really taking time toΒ doΒ what I’m doing.
Last week I took almost a whole day for painting. I did some exercises out of the Le Clair book, and then I took a nap, which I almost never do. As I was drifting off I thought, “It feels so restful to do only one thing at a time. It’s like an oasis.” When my alarm woke me half an hour later, that thought was still with me, and I decided to make it into a motto to hang above my desk. I made a quick first draft, testing out a size and style of handwriting, and taped it to the wall to see how I liked it. Then I drew the final version in pencil, and over the next 2-3 hours, filled in the outlines with layers of paint. After I pinned the finished words to my wall, I was somewhat surprised to find the words made me feel powerful. I still feel that, every time I look at my desk area. I turned a messy, unproductive corner into a creative haven that I am actually using. Powerful.
With “Oasis” watching over me, on Saturday I decided to tackle a more challenging subject: a white dahlia from my mom’s garden.
I wasn’t sure I could manage it, but I am becoming a much more fearless sketcher. It’s harder than you might think to draw a round object, but to my astonishment, my preliminary drawing actually looked like the flower.
After that it was just a matter of filling in the colors and shadows — not that that was easy. I’m much better than I was, but I still had trouble deciding what colors to use, how strong to make them (and how to control the water for mixing and diluting), and how to employ them for subtle or bold effects. And, in this, it’s not just a question of execution, of not being a very experienced watercolorist; also, my eye is not quite up to the task yet. When it comes to a mass of white petals, I am still not totally sure yet what I’mΒ seeing, so of course I have difficulty rendering it.
But I plugged away at it for a few hours. Painting, even on a small paper like this one (it’s maybe 10″ square), is pretty physical. I need breaks, but I don’t like to take them, because each time I step away from the painting, I lose something. Momentum, or focus maybe. But if I don’t take breaks, I burn out completely at the end of a session. I don’t have the stamina to concentrate on something so hard for so long.
A self-photo during one of my breaks. I’m wearing a dress Kuukua brought from Ghana.
After one longer break (10-15 minutes?), I returned to my desk only to find that I’d lost sight of what I was doing. I started at the marks on the paper and I had completely forgotten they had any relationship to the giant dahlia on my desk. It took me several moments to recollect myself.
By early evening I could feel myself burning out, in spite of the breaks, so I brought things to a quick close and presented the painting to my mother.
I can see that it could be better, but I’m still pleased with it. I often feel that way about my work these days. I think it is completely possible to see something critically and yet also feel proud and tender about all the life and experience that went into making this thing. It is a simultaneous celebration that I have become good enough to make this, and a breathless excitement that if I can make this, someday I will make something even more amazing.









Hey there!
I am always delighted to read about the process (as you know)
I like the start, with only the background, and teh final result is great as well! but the part I like the most is the fragment of the vase at the bottom π
And chapeau for the patience and perseverance! I would have died 6 times already…
Hugs
Dov
Hey Dov! I’m so glad I took photos while painting this one — I want to try to do that more often. Plus I get to make fun animations. π Glad you like that bit of vase. I almost didn’t put it in; after I made the pencil drawing I realized my composition was so boring, with the flower right in the center. So I added the vase.
Hugs to you π I went to my first life drawing yesterday, since Paris!!
That dahlia painting is GORGEOUS!
Merci beaucoup my dear! It’s definitely something I couldn’t have drawn, much less painted, a year ago. Now the flower is wilting on my desk — all curled and dessicated and brown around the edges — but I still have the painting to look at. π
It is beautiful, truly beautiful. Well done you!!!! Big, big hugs. Thank you so much for sharing
Thank you, Aga!! Big big hugs to you too. And I wish I could decorate your apartment with dahlias. π
It’s gorgeous Lisa! And I could so relate to that burned out feeling…..in fact the entire description of how you felt during the process of painting was so darned familiar!
I love painting white flowers, though it is indeed very challenging π
Ah, thank you, Munira!! I’m sure you know just what I meant. π I think that was my first time trying to paint a white flower. When I read about white-on-white exercises in the Le Clair book I groaned and thought, ughhhh, too difficult, but now that I have tried it I want to do more. π It would be great to… well, not master this skill, I won’t be overly optimistic… but it would be so satisfying to get better at it. π
this is wonderful and I know what you mean about losing patience, especially with all those little small shapes. I really liked the little gif too.
peace n abundance,
CheyAnne
http://www.cheyannesexton.etsy.com
Thanks very much, CheyAnne! The gif was fun to make — I think I’ll try it again in future. π Sometimes I think I want to be an animator because I so love making my drawings move… but enough is enough for now. ;b
where did you create the gif? is there a program?
I made it at http://gifmaker.me/ and there are a lot of similar websites out there. All you do is upload your photos and then it will generate the gif for you to view online or download to your computer. Super easy π
thanks
OMG, your painting is absolutely astounding!! And you know how much I love to see your artistic process, so this post was a little slice of heaven for me. π
Eeeeee, thank you, Mo!! I’m not sure I’ve ever had one of my posts described as “a little slice of heaven” before, which makes me grin. π The painting is now hanging in my parents’ bedroom, beaming down on my mom’s ironing board. π And meanwhile her garden continues to produce giant dahlias… they’re almost as big around as my face!
Hope your huge (or is that tiny? huge-tiny?) workload isn’t making you or your hands too crazy. π